Marcus Bunyan [] Image Maker
'Oblique' 2019

Here is a new body of work shot mainly from moving taxi windows in Bangkok and surrounds, interspersed with still, Zen-like images.

With the moving images, you have to anticipate by a couple of seconds the movement of the taxi and the release of the shutter so you have no idea what the image will actually be. Your sense of previsualisation is completed on feel and instinct. You trust the world to provide the image which you are looking for. I enjoy them, they give me pleasure and contentment in their creation.

In terms of defining the concept of the oblique we can say that: "The oblique is fundamentally interested in how a body physically experiences a space."

In this case, both physically and spiritually.

The series investigates the concept through images of movement and stillness, fleeting glimpses of urban life intertwined with Zen-like images. The series is constructed not as a sequence, but as a "volume" where there is no beginning, no middle and no end. It is like a jewel that can be turned around and looked at from different perspectives, where no one perspective is the correct interpretation. Each volume has its own validity, its own uniqueness.

They images can also be read as a protest against death - no beginning, no middle, no end - where everything is connected to everything else. As Goethe observes in his Conversations with Eckermarm (5 June 1825):

"In nature we never see anything isolated, but everything in connection with something else which is before it, beside it, under it, and over it."

Dr Marcus Bunyan

PLEASE CLICK ON THE PHOTOGRAPHS FOR A LARGER VERSION OF THE IMAGE.

Alternative versions of the work can be found at Oblique B, Oblique C and Oblique D.


66 images
© Marcus Bunyan

 

Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019
Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019
Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019
Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019
Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019
Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019
Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019
Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019
Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019
Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019
Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019
Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019
Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019
Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019
Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019
Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019
Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019
Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019
Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019
Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019
Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019
Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019 Marcus Bunyan. 'Oblique' 2019